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- <text id=89TT0475>
- <title>
- Feb. 20, 1989: War As Family Entertainment
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Feb. 20, 1989 Betrayal:Marine Spy Scandal
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIDEO, Page 84
- War as Family Entertainment
- </hdr><body>
- <p>Two Vietnam shows tackle the issues but avoid the politics
- </p>
- <p>By Richard Zoglin
- </p>
- <p> War, being a pretty depressing human endeavor, has never
- been a favorite subject for network entertainment. The Vietnam
- War, being pretty depressing even as wars go, would seem to be
- nearly untouchable. Not only was there too much R-rated action
- (drug abuse, massacres of civilians) but the story had an
- unhappy ending. Such recent movies as Platoon and Full Metal
- Jacket could immerse their audience in the muck and moral
- quicksand for a couple of hours and then let go. But TV series
- must keep viewers coming back week after week, adhering to
- standards of "family entertainment" along the way.
- </p>
- <p> The surprise, then, is that two weekly shows about Vietnam
- have established themselves on the prime-time schedule. To be
- sure, both of them -- CBS's Tour of Duty and ABC's China Beach
- -- add plenty of TV fabric softener to the abrasive material.
- Each fills its sound track with '60s pop songs, as if Vietnam
- were just another trip down nostalgia lane, like high school
- mixers and afternoons at the malt shop. Both have taken a
- predominantly male experience and leavened it with female
- characters and soap-opera story lines closer to Dallas than
- Saigon.
- </p>
- <p> China Beach revolves around a hospital-and-entertainment
- complex near Danang, and its protagonists range from a dedicated
- nurse (Dana Delany) to a hard-bitten war profiteer (Marg
- Helgenberger). Tour of Duty focuses on an all-male combat
- platoon, but this season has added two prominent female
- characters -- a wire-service reporter and a psychiatrist --
- and, of course, a love interest for each.
- </p>
- <p> Yet credit is due: no other dramatic shows on TV deal with
- such relentlessly uncheery subject matter. Tour of Duty is the
- more conventional of the two, an L.A. Law-style mix of
- characters, subplots and issues that are introduced and neatly
- resolved by episode's end. The show's flaws are familiar:
- characters who are too simplistic (the hotdogging helicopter
- pilot, the streetwise black private), and plot twists that are
- too patly "illuminating." When a battle-fatigued soldier is
- sent back into combat before he is ready -- over the objections
- of his sergeant and a psychiatrist -- you can bet that five
- minutes into his first mission he will go berserk and get shot.
- Still, the show has broached some touchy subjects, from officer
- corruption to cowardice in battle, with honesty and dramatic
- fluency.
- </p>
- <p> If Tour of Duty is the war genre's L.A. Law, China Beach is
- its thirtysomething: narratively loose jointed, laced with
- ironic dialogue and moody introspection. Created by John Sacret
- Young (screenwriter of A Rumor of War) and former magazine
- editor William Broyles Jr., the show lurches between the fey (a
- macho war hero parachutes into camp and romances all the women)
- and the loquaciously self-important, as if it were a sorority
- bull session with grenade sound effects. But the writing is a
- notch above standard-issue TV fare, and the show follows its
- own adventurous, if sometimes bumpy, path.
- </p>
- <p> Both shows reflect the way dissent has become domesticated
- in America; what were radical antiwar views in the '60s are now
- mainstream TV attitudes. High-ranking officers and other
- authority figures are mostly buffoons, insensitive martinets or
- corrupt sleaze balls. Heroism, at least as the military tries to
- market it, is usually a sham; public relations is the name of
- the game. A lieutenant in Tour of Duty gets drunk in a bar and
- empties the place by wildly firing his gun. A few seconds later,
- a bomb explodes inside, and he is hailed as a hero. Notes a
- smarmy major: "You're the first good publicity the command has
- had since Tet."
- </p>
- <p> Most of all, there is disillusion and frustration. Sergeant
- Zeke Anderson (Terence Knox), the sympathetic Everysoldier in
- Tour of Duty, confides to his ex-wife his feelings about the
- war: "It's just like everything you hear. It's death and
- destruction, it's hell on earth, it's twisted limbs. I just
- want it to be over." An injured grunt in China Beach expresses
- his despair even more starkly: "Nobody here gets out alive.
- Breathing maybe. Eating. Sleeping. You ride the bus to work,
- cash a paycheck, wait. But your life is out there . . . always."
- </p>
- <p> These sentiments, however, are largely denuded of their
- political context. Rarely are they linked to any specific
- complaint about the conduct of the war -- a policy mistake or a
- battlefield blunder. It's just the eternal tragedy of war. At
- the same time, the angry pacifism once expounded by M*A*S*H (a
- TV series about Vietnam that was set in Korea) has been
- tempered by sympathy for the average grunt. There is still a
- place, in TV's current view of Vietnam, for courage in battle,
- duty and loyalty to buddies. At a champagne dinner for officers
- in China Beach, a Red Cross worker blurts out a drunken toast
- to the men in the field: "Out there, it's not your war. It's not
- our war. It's their war." And it's their war that TV is finally
- trying to tell.
- </p>
-
- </body></article>
- </text>
-
-